Steuer Jazz reeds have a longer profile than the Steuer Traditional range to promote increased vibration over a larger surface. These reeds have been specially developed to offer great ease of expression, giving free reign to creativity and advanced improvisational work. They offer an incredibly rich sound colour. We recommend these reeds for advancing and experienced musicians.
While Steuer reeds are incredibly consistent, cane remains a natural product and that means there is always a chance that some reeds in the box are better than others. As such, we highly recommend purchasing a minimum of 3 reeds so your experience with these reeds is worthwhile.
- 1 Single Reed (Not a Box!)
- Unfiled cut.
- Responds from first use.
- Very good sound projection.
- Suitable for all mouthpiece openings.
As the soul of any woodwind instrument, thanks to its intimate communion with the artist who has chosen it, the reed is the key which unlocks all the performer’s potential…
In Germany, near Lake Constance in the late 1940s, a reed maker, Gebhart Steuer, called on Honorat Donati, a producer of music reed cane. This cane, Arundo donax, known for its exceptional vibratory qualities, grows along the shores of the Mediterranean, in the Var area of France.
The Donati family in Carqueiranne knows the secrets of good reed cane production. Simultaneously fragile, flexible, and strong (it bends but does not break), this long stem, from which the delicate little musical reeds will be produced, requires a great deal of care.
A reed cane stem is a living thing. As with a child, Steuer watches its development with close and constant care and grows the reed cane with passion.
Only an adaptable wood, which has been able to bend and develop its “muscles” at the mercy of the wind for many long months, can provide this combination of flexibility and sturdiness, essential to the demands of the Artist.
This is how the reed is able to meet the musician’s requirements.
And meeting these requirements will also depend on other factors, including a good match between the reed and the mouthpiece of the instrument, and the artist’s state of mind when playing: their emotion, their sensitivity. Every artist has their own different sonority.
After this initial contact all those years ago, many other trips from the Var region took place to visit the Steuer business, taken over by Hans and Dorothe Gillhaus in 1997.
In 2011, after several decades, nothing could be more natural than the Steuer company now being based in Carqueiranne, in Var, close to the musical reed plantations.
It is here that Steuer now continues to create and produce reeds to the highest standards, so essential to musicians, in keeping with the tradition of excellence which has forged its reputation.
The reed has come back to the land of its roots.